Category: Raymond Scott

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2019 Artists (by group or surname) Music Reviews Raymond Scott S

Raymond Scott – The Jingle Workshop

8 min read

Order it from theLogBook.com StoreIf popular music fades out of fashion quickly, then what about the seemingly disposable music in the background of the commercials that play between popular songs on the radio? This unusual 2-CD set contains two shiny round things capable of transporting you back in time – a time that, it must be said, is barely recognizable from a 21st century vantage point. A time when commercials had to very carefully point out that new RCA color televisions were compatible with the existing black and white transmissions of TV stations. A time when brands of beer and bread did battle over the airwaves to see who could hire someone to make the catchiest, jazziest jingles. A time when Sprite was such a new thing that it required a jingle to explain what it was (and that it might be used for mixed drinks), and yet other jingles implored consumers to buy soft drinks bottled in glass bottles. And on the downside, a time when the airwaves were also choked with commercials for tobacco products.

“Someone who could make the catchiest, jazziest jingles” fortunately could simply be pronounced “Raymond Scott”, which is why the renowned bandleader amassed enough of this kind of work to merit a two-disc set. Scott was a double threat – he could bring the light jazzy sound that was in demand in the day, and then when the airwaves were so full of such commercials that entire commercial breaks started to run together in a blur, his electronic tinkering, mad-genius side came into play, putting some of the first radiophonic music into the ears of a mass audience in the United States. The Jingle Workshop‘s tracks end up being about 75% jazzy and 25% electronic, and it’s probably because the producers of this compilation didn’t want to have too much overlap with previous compilations like Manhattan Research Inc. and Three Willow Park, which were both devoted entirely to Scott’s early analog electronic music.

Some pieces – such as the “Vibes & Marimba” piece for an unknown sponsor, or the “The Tingling Tartness Of Sprite” instrumental – feature traditional instruments run through so much reverb that they land in an uncanny valley between the purely acoustic and the electronic sound that Scott was beginning to formulate in his head. The early Sprite jingle “Melonball Bounce” makes a repeat appearance here (it was also featured on Manhattan Research Inc.), representing Scott’s fully-electronic compositions.

There are some moments of unexpected sheer beauty peppered among these tracks; instrumental performances for products like Scott Family Napkins and Mastland Carpet are magnificently orchestrated and performed, as much as a testament to the players Scott hired as to his skill in composing the pieces. Scott’s wife, Dorothy Collins, features as the female vocal on most of the tracks (and busts up laughing in the rehearsal for a jingle for Esso gas stations). Whoever sequenced the album has a pretty good sense of humor too – see the one-two punch of tracks that close out the first disc: “Let’s Have a Sackful of Krystals” (for a fast-food burger chain) followed by “Ex-Lax Helps You”. If there’s one major surprise in this collection, it’s that Collins is not the only vocalist – Mel Tormé features on a couple of tracks.

3 out of 4A collection of radio spots and jingles from a bygone era won’t appeal to everyone, and admittedly, even though I’m a big fan of Raymond Scott’s work, I have to be in a certain frame of mind to sit and listen to it all in one sitting. The instrumental cuts are the only thing preventing The Jingle Workshop from being an 80-minute commercial break, often for extinct brands, and that’s not everyone’s cup of tea, but I still come away with an admiration for the sheer artistry of the extremely small, scrappy, underdog advertising production operation Scott and Collins were running.

Disc One

  1. When You Bake With Gold Medal Flour (Demo) – featuring Dorothy Collins (00:49)
  2. The Taste Is Great (Tareyton Cigarettes) – featuring Dorothy Collins (00:46)
  3. When You Shop at a Food Town Store (Vocal) – featuring Dorothy Collins (01:02)
  4. Move Up to Schlitz – featuring Dorothy Collins (00:44)
  5. It’s Compatible (RCA Victor TV) – featuring Dorothy Collins (01:15)
  6. Male/Female Scott Family Napkins Themes (Instrumental) (02:33)
  7. Road-Tuned Wheels (Mercury) – featuring Dorothy Collins (00:59)
  8. It Outsells Because It Excels (Duquesne Beer) – featuring Dorothy Collins (00:34)
  9. Hangover Dirt (Instant Fels Naptha) – featuring Dorothy Collins (01:00)
  10. Think of a Carpet (Masland Carpets) [Instrumental] (01:02)
  11. Stop at the Esso Sign (Rehearsal 1) – featuring Dorothy Collins (01:19)
  12. S-W-E-L (Swel Frosting) – featuring Dorothy Collins (00:30)
  13. Song of the Milk Bottle Moppets (Glass Container Institute) – featuring Dorothy Collins (00:19)
  14. So Good, So Fresh, So Southern (Mel Tormé) [Southern Bread] – featuring Dorothy Collins (01:02)
  15. The Tingling Tartness of Sprite (Instrumental) (01:02)
  16. Use Vicks Medicated Cough Drops (Electronic Version) – featuring Dorothy Collins (00:29)
  17. Stuckey’s Theme (Vocal) – featuring Dorothy Collins (01:02)
  18. DX Super Boron (Sunray DX Oil Co.) [Demo] – featuring Dorothy Collins (01:01)
  19. Vibes & Marimba (Instrumental) (01:02)
  20. Miller Beer Theme (Instrumental Rehearsal) (01:20)
  21. Uptempo Theme With Vibes (Instrumental) (00:26)
  22. The Big M (Mercury) – featuring Dorothy Collins (01:31)
  23. Be Happy, Go Lucky (Lucky Strike) – featuring Dorothy Collins (00:24)
  24. There’s a Tingle in the Taste (Fitger’s Beer) – featuring Dorothy Collins (00:45)
  25. Way Ahead in Flavor / Almost Like Magic (My-T-Fine Pudding) – featuring Dorothy Collins (00:47)
  26. Scott Family Napkins Guidance Tracks – featuring Dorothy Collins (01:54)
  27. Melonball Bounce (Sprite) [Instrumental] (00:59)
  28. Go Greyhound – Leave the Driving to Us – featuring Dorothy Collins (00:59)
  29. Today’s Best Buy (Plymouth) [Demo] – featuring Dorothy Collins (00:29)
  30. Who Took the Beer? (Hamm’s Beer) – featuring Dorothy Collins (00:59)
  31. The Fashion to Be Fashionable (Ford Galaxie) – featuring Dorothy Collins (01:02)
  32. Dirty Carburetor #1 & #2 (Atlantic Imperial) – featuring Dorothy Collins (01:01)
  33. Bottled Soft Drinks Serenade (Glass Container Institute) – featuring Dorothy Collins (00:18)
  34. All-Purpose Breeze (Demo) – featuring Dorothy Collins (00:38)
  35. The Only Candy Bar (Fifth Avenue) – featuring Dorothy Collins (00:30)
  36. Better Get Some More Beer [Hamm’s Beer] – featuring Mel Tormé and Dorothy Collins (04:07)
  37. Nothing Works Like Listerine – featuring Dorothy Collins (01:01)
  38. Let’s Have a Sackful of Krystals (Krystal Hamburgers) – featuring Dorothy Collins (01:01)
  39. Ex-Lax Helps You (Demo) – featuring Dorothy Collins (01:03)

Disc Two

  1. Lady Gaylord (Ideal Toys) [Alternate Instrumental] (01:00)
  2. Lilt Home Permanent (Procter & Gamble) [Demo] – featuring Dorothy Collins (01:20)
  3. Think of a Carpet (Masland Carpets) [Vocal] – featuring Dorothy Collins (01:01)
  4. Seven-Minute Fluffy (Swel Frosting) – featuring Dorothy Collins (01:02)
  5. Super Cheer Detergent (Procter & Gamble) – featuring Dorothy Collins (00:23)
  6. Look for That Hotpoint Difference – featuring Dorothy Collins (00:48)
  7. Let’s Have a Sackful of Krystals (Krystal Hamburgers) [Instrumental] (01:00)
  8. The Tingling Tartness of Sprite (Vocal) – featuring Dorothy Collins (00:30)
  9. Good News – Here’s Hamm’s Beer – featuring Dorothy Collins (01:11)
  10. What’s New, Bokoo? / An Unusual Name – featuring Dorothy Collins (01:04)
  11. Buy a Carton of Lucky Strikes – featuring Dorothy Collins (00:42)
  12. Right Car, Right Price (Chrysler) – featuring Dorothy Collins (01:08)
  13. Wave Your Hair With Hudnut Care (Richard Hudnut) – featuring Dorothy Collins (00:44)
  14. It’s the Ice-Creamiest (Russell’s Ice Cream) – featuring Dorothy Collins (01:00)
  15. Stuckey’s Theme (Instrumental) (00:58)
  16. WQXI Bumper Montage – featuring Dorothy Collins (01:43)
  17. Use Vicks Medicated Cough Drops – featuring Dorothy Collins (01:01)
  18. Delicate Theme (Instrumental) (00:59)
  19. Use Trushay – featuring Dorothy Collins (00:24)
  20. Tingle in the Taste (Fitger’s Beer) [Duet] – featuring Dorothy Collins (00:22)
  21. The Big Change (RCA Victor TV) – featuring Dorothy Collins (00:36)
  22. Use New Instant Autocrat (Autocrat Coffee) – featuring Dorothy Collins (00:31)
  23. Hamm’s Beer Theme (Instrumental) (00:59)
  24. Trushay Theme 1 (Instrumental) (00:19)
  25. DX Super Boron (Sunray DX Oil Co.) [Instrumental] (01:02)
  26. Melonball Bounce (Sprite) [Vocal] – featuring Dorothy Collins (01:00)
  27. Stop at the Esso Sign (Rehearsal 2) – featuring Dorothy Collins (01:01)
  28. Watch the Vibrations of a Tuning Fork (Bulova Accutron) – featuring Dorothy Collins (00:25)
  29. Breeze Along With Ease – featuring Dorothy Collins (00:22)
  30. Have a Duke (Duquesne Beer) – featuring Dorothy Collins (00:31)
  31. RCA Victor High Fidelity Theme – featuring Dorothy Collins (01:10)
  32. RFK, Liz & Dick, Nudity in Movies (Look Magazine) – featuring Dorothy Collins (00:28
  33. When You Shop at a Food Town Store (Instrumental) (01:02)
  34. Good News – Here’s Hamm’s Beer – featuring Mel Tormé and Dorothy Collins (04:01)
  35. Best Looking Buys in Each Size (Mercury) – featuring Dorothy Collins (00:46)
  36. New Sensations in Sound (RCA Victor TV) – featuring Dorothy Collins (01:23)
  37. Make Him a Legend in His Own Time (British Sterling) – featuring Dorothy Collins (00:20)
  38. Living Curl / They Did It! (Revlon Hair Spray) – featuring Dorothy Collins (01:32)
  39. Lady Gaylord (Ideal Toys) [Trumpet Effects Instrumental] (00:57)
  40. Keep on the Go With Atlantic (Atlantic Imperial) – featuring Dorothy Collins (01:29)
  41. Look at That Sunbeam Bread! (Demo) – featuring Dorothy Collins (00:44)
  42. Tart and Tingling (Sprite) [French Version] – featuring Dorothy Collins (01:00)
  43. Trushay Theme 2 (Instrumental) (00:23

Released by: Modern Harmonic
Release date: December 13, 2019
Disc one running time: 40:31
Disc two running time: 41:18

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2014 Artists (by group or surname) Non-Soundtrack Music Raymond Scott S

Raymond Scott Rewired

3 min read

So, stop me if you’ve heard this one already: three remix producers walk into a bar, suddenly gain access to the complete recorded works of the late big-band-leader and electronic music pioneer Raymond Scott, and go back to their studios to do their own thing. Actually, it’s not certain if there was a bar involved, but that minor detail aside, that’s how you get this album.

And what a fun album it is! From a near-nonsensical mash-up of Scott’s electronic music and his extensive work in the realm of commercial jingles (“The Night & Day Household Greyhound”) to a career-spanning mash-up that somehow manages to encapsulate everything Raymond Scott was about (“A Bigger, More Important Sound”) to truly tuneful remixes that almost transcend their source material (“Cindy Byrdsong”, “Hey Ray”), every approach from very light remixing to almost rewriting the DNA of the original music is tried out here. Piling the output of Scott’s legendary homemade analog synthesizer/sequencer, the Electronium, on top of most conventional acoustic sounds does wonders (“Very Very Very Pretty Petticoat”), but that’s no less enjoyable than a cut-and-splice treatment of Scott’s narrated notes on a new piece of recording gear (“Love Song To A Dynamic Ribbon Cardioid”). At the end of the album, it’s all hands on deck as all three producers pay tribute to Scott’s most enduring creation (thanks to its heavy use in Carl Stalling’s cartoon music), “Powerhouse”.

4 out of 4I can’t help but think that Raymond Scott would have approved. The man devised and implemented a new instrument combining the functions of analog synths and sequencers in one massive box, in a near-total vacuum of information as to how one would create such a beast, because these ideas were new to everyone at the time. (No less a later electronic music pioneer than Bob Moog himself would go on to say that Scott was a huge influence on him.) A mind that could jump from big band stylings to otherworldly sounds for which there was no frame of reference…one can’t help but think that, had he been born a bit later, Raymond Scott himself would be doing some remixes of his own.

Order this CD

  1. A Bigger, More Important Sound by Raymond Scott & The Evolution Control Committee (1:38)
  2. The Toy Penguin by Raymond Scott & The Bran Flakes (3:12)
  3. Cindy Byrdsong by Raymond Scott & Go Home Productions (4:09)
  4. Ripples on an Evaporated Lake by Raymond Scott & The Evolution Control Committee (4:10)
  5. Sleigh Ride To A Barn Dance in Sorrento by Raymond Scott & The Bran Flakes (2:01)
  6. The Night & Day Household Greyhound by Raymond Scott & Go Home Productions (2:50)
  7. Love Song To A Dynamic Ribbon Cardioid by Raymond Scott & The Evolution Control Committee (2:25)
  8. (Serenade On) Carribea Corner by Raymond Scott & The Bran Flakes (4:08)
  9. In An 18th Century Discotheque by Raymond Scott & The Evolution Control Committee (3:35)
  10. The Sleepwalking Tobacco Auctioneer by Raymond Scott & Go Home Productions (2:10)
  11. Very Very Very Pretty Petticoat by Raymond Scott & The Bran Flakes (2:22)
  12. Hillbilly Hostess In Haunted Harlem by Raymond Scott & The Evolution Control Committee (2:28)
  13. Good Duquesne Air by Raymond Scott & Go Home Productions (3:06)
  14. Hey Ray by Raymond Scott & The Bran Flakes (2:54)
  15. Mountain High, Valley Higher by Raymond Scott & Go Home Productions (3:35)
  16. Siberian Tiger On An Ocean Liner by Raymond Scott & The Evolution Control Committee (2:35)
  17. Shirley’s Temple Bells by Raymond Scott & The Bran Flakes (2:12)
  18. Tick Tock Cuckoo On Planet Mars by Raymond Scott & Go Home Productions (1:56)
  19. Powerhouse by Various Artists (3:29)

Released by: Basta
Release date: January 14, 2014
Total running time: 54:55

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2000 Artists (by group or surname) Music Reviews Non-Soundtrack Music Raymond Scott S Year

Raymond Scott – Manhattan Research Inc.

5 min read

Order this CDPerhaps unfairly best known for having his music repurposed into the backing tracks for classic Warner Bros. cartoons, the late Raymond Scott has another claim to fame that often gets overlooked – he was one of the true pioneers of electronic music in America. In this area, Scott was a true renaissance man: not only did he pioneer the sound, but he built his own instruments and early devices that presaged sequencers, and he even did some of the first work on multi-track recording, at roughly the same time that Les Paul was experimenting with similar ideas. In the 1950s and 1960s (at roughly the same time as the ascendancy of the BBC Radiophonic Workshop), Scott was carving out his own path in an entire new genre of music.

Not only that, but Scott was trying his hardest to make his experiments pay for themselves: he marketed his unusual new sounds as music beds and jingles for commercials, with some success. The two-disc Manhattan Research, Inc. collection chronicles and archives that material, with a selection of Scott’s finished spots (both with and without announcers/singers) as well as demos and experiments that never made it to radio. The commercials range from obscurely local/regional campaigns (Baltimore Gas & Electric Company) to major national campaigns (IBM, Bufferin, Vicks, General Motors and a Sprite radio campaign that remains famous enough that it’s now become an ironic cover song). In a way, Scott achieved his aim by getting a new style of music into the ears of millions of listeners – but until now, not with any recognition.

While the commercials are a nostalgia trip that goes back even before the writer of this review was born, some of the purely instrumental pieces are startlingly ahead of their time: the “Night and Day” track on the first disc could’ve caught on in the 1980s had it been revived then. “Take Me To Your Violin Teacher” could easily be mistaken for modern chiptunes performed with 1980s video game hardware… and yet it was recorded in 1969. “Ripples (Montage)” anticipates abstract-but-tuneful electronic film scoring. “Cindy Electronium” sounds like late ’80s/early ’90s video game music.

There are a few throwbacks as well; Scott tries out completely electronic renditions of his existing compositions including “The Toy Trumpet” (which becomes almost unrecognizable) and “Twilight In Turkey”, both of which featured in their original, jazzier forms on Reckless Nights & Turkish Twilights. Some of his electronic music beds are also quite obviously very close cousins of the music from his Soothing Sounds For Baby albums. There’s also one very interesting guest star on a few tracks: the voice of none other than Jim Henson graces some tracks recorded in 1969, including “Limbo: The Organized Mind”, a free-form ramble set to Scott’s electronic sounds, and a couple of Bufferin commercials which seem to have sprung from “Limbo” both conceptually and musically.

A lot of this information, incidentally, is included in a book that clocks in at around 140 pages and covers Scott’s entire life and career, not just the material on these two CDs, in a wealth of detail.

3 out of 4Raymond Scott is still overdue for a reassessment of one of the electronic music pioneers in the United States, to say nothing of being a composer whose works influenced generations of children (by way of Warner Bros. cartoons). Manhattan Research, Inc. really isn’t a “general audience” listening experience, but it’s an invaluable archive for anyone interested in how electronic music gained a foothold in our national consciousness: in little snippets, 30 or so seconds at a time, behind commercial announcers and jingle singers.

    Disc One
  1. Manhattan Research, Inc. Copyright (0:11)
  2. Baltimore Gas & Electric Co. (Instrumental, Take 4) (1:14)
  3. Bendix 1: The Tomorrow People (1:06)
  4. Lightworks (1:52)
  5. The Bass-line Generator (3:10)
  6. Don’t Beat Your Wife Every Night! (1:44)
  7. B.C. 1675 (Gillette Conga Drum Jingle) (3:16)
  8. Vim (0:59)
  9. Auto-Lite: Sta-Ful (Instrumental) (0:47)
  10. Sprite: Melonball Bounce (Instrumental) (1963)
  11. Sprite: Melonball Bounce (1963)
  12. Wheels That Go (0:50)
  13. Limbo: The Organized Mind (4:33)
  14. Portofino 1 (2:13)
  15. County Fair (1:01)
  16. Lady Gaylord (1:02)
  17. Good Air (Take 7) (0:38)
  18. IBM MT/ST: The Paperwork Explosion (4:31)
  19. Domino (0:33)
  20. Super Cheer (0:34)
  21. Cheer: Revision 3 (New Backgrounds) (0:39)
  22. Twilight in Turkey (1:32)
  23. Raymond Scott Quote / Vicks: Medicated Cough Drops (1:34)
  24. Vicks: Formula 44 (0:46)
  25. Auto-Lite: Spark Plugs (1:00)
  26. Nescafe (1:06)
  27. Awake (0:35)
  28. Backwards Overload (6:04)
  29. Bufferin: Memories (Original) (0:59)
  30. Bandito the Bongo Artist (1:30)
  31. Night and Day (Cole Porter) (1:45)
  32. Baltimore Gas & Electric Co. (“395”) (1:07)
  33. K2r (0:19)
  34. IBM Probe (1:56)
  35. GMGM 1A (1:49)
  36. The Rhythm Modulator (3:37)
    Disc Two
  1. Ohio Plus (0:17)
  2. In the Hall of the Mountain Queen (0:49)
  3. General Motors: Futurama (1:04)
  4. Portofino 2 (2:14)
  5. The Wild Piece (a.k.a. String Piece) (4:07)
  6. Take Me to Your Violin Teacher (1:40)
  7. Ripples (Original Soundtrack) (0:59)
  8. Cyclic Bit (1:04)
  9. Ripples (Montage) (4:06)
  10. The Wing Thing (1:00)
  11. County Fair (Instrumental) (1:00)
  12. Cindy Electronium (1:59)
  13. Don’t Beat Your Wife Every Night! (Instrumental) (1:45)
  14. Hostess: Twinkies (0:32)
  15. Hostess: Twinkies (Instrumental) (0:32)
  16. Ohio Bell: Thermo Fax (0:24)
  17. Pygmy Taxi Corporation (7:11)
  18. Baltimore Gas & Electric Co. (Announce Copy, Take 1) (0:29)
  19. Baltimore Gas & Electric Co. (0:44)
  20. Lightworks (Slow) (1:40)
  21. The Paperwork Explosion (Instrumental) (3:30)
  22. Auto-Lite: Ford Family (1:03)
  23. Auto-Lite: Ford Family (Instrumental) (0:54)
  24. Raymond Scott Quote / Auto-Lite: Wheels (1:50)
  25. Bufferin: Memories (Demo) (0:44)
  26. Space Mystery (Montage) (5:11)
  27. The Toy Trumpet (2:15)
  28. Backwards Beeps (1:05)
  29. Raymond Scott Quote / Auto-Lite: Sta-Ful (1:36)
  30. Lightworks (Instrumental) (1:29)
  31. When Will It End? (3:14)
  32. Bendix 2: The Tomorrow People (1963)
  33. Electronic Audio Logos, Inc. (5:23)

Released by: Basta
Release date: 2000
Disc one total running time: 58:48
Disc two total running time: 63:11

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1962 1997 Artists (by group or surname) Non-Soundtrack Music Raymond Scott S

Raymond Scott – Soothing Sounds For Baby, Volume 1

3 min read

In the formative days of electronic music, one name stands out because it wasn’t associated only with that genre. Raymond Scott, whose unorthodox jazz pieces were less improvised than they were drilled to perfection (long before they were appropriated by Carl Stalling to serve as the soundtrack to the early Bugs Bunny cartoons), was a major American innovator in electronic music. Now, keep in mind, this is far enough back that “electronic music” meant generating and tweaking sounds electrically, and it often yielded results that tended more toward musical abstraction than precision or perfection. (Which is surprising considering Scott’s don’t-deviate-from-the-program jazz days.) Raymond Scott, however, saw the potential of the studio, and purely electrical devices, as instruments in their own right. (If you need evidence of Scott’s pedigree in electronic music, he once counted Robert Moog as an employee.)

Billed as “an infant’s friend in sound,” volume one of Soothing Sounds For Baby relies heavily on mesmerizing repetition – a sort of sonic highway hypnosis. To adult ears, it might seem tinny and grating, but after a while it’s quite relaxing. And with a one-month-old child to test it out on, I can offer an answer to a question that doesn’t come up often when doing music reviews – “Does it work?” – with a resounding yes. Though I’ve already introduced him to such things as the Moody Blues Days Of Future Passed and the Katamari Damacy soundtrack, Soothing Sounds helps to get my son to sleepyland in short order, even if he’s agitated by a loud noise elsewhere in the house or some other recent disturbance. Mr. Scott’s electronic music box gets him right back to sleep, and that’s why we call him the miracle worker.

Now, in some cases, I’m not quite sure how these miracles work – the last two tracks out of five drive me nuts. “Nursery Rhyme” sounds a bit like the alarm on an ’80s digital watch going off, while “Tic-Toc” is exactly as advertised – several minutes of a two-note “tick-tock” sound, which almost seems like it was played on the electronic equivalent of cowbells. But nothing knocks the kiddo out like “Tic-Toc”, so what do I know? Soothing Sounds For Baby seems to have gained new life as a historical curiosity and an 4 out of 4early footnote in ambient music, but let’s not forget that it does exactly what it says on the box. And for that reason, I’ve gotten very well acquainted with it indeed and can recommend it to anyone whose baby needs some tunes of their own.

Order this CD

  1. Lullaby (14:05)
  2. Sleepy Time (4:19)
  3. The Music Box (6:13)
  4. Nursery Rhyme (5:48)
  5. Tic-Toc (8:03)

Released by: Basta
Release date: 1962 (CD reissue in 1997)
Total running time: 38:28

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1992 Non-Soundtrack Music Raymond Scott S

Raymond Scott – Reckless Nights and Turkish Twilights

Raymond Scott - Reckless Nights and Turkish TwilightsThis amazing album of vintage late-1930s recordings by American jazz composer Raymond Scott will sound quite familiar if you’ve ever spent any time watching Looney Tunes. Scott, who was considered mondo bizarro in his own day, and was heavily criticized by his session players for asking them to perform his uniquely whimsical jazz numbers as written instead of improvising, lives forever in the annals of American music simply because Warner Bros. cartoon composer extraordinaire Carl Stalling lifted many of his pieces to score the misadventures of Bugs Bunny and friends. Though Raymond Scott’s original recordings of such pieces as “Powerhouse” and “The Penguin” aren’t as raucous and don’t soung as “big” as they later became with Stalling’s help, they are distinctly recognizable and charming in their own right. As the liner notes point out, Scott was something of a technological prodigy as well, recording his works on metallic discs instead of acetate, which means that the music heard here is not only 60+ years old, but is heard exactly as it was recorded (allowing for some audio spectrum limitations of 4 out of 4that vintage studio equipment). I have a feeling that it’ll be a while – probably not even in my lifetime – before Raymond Scott takes his place alongside such American musical luminaries as Copland…but after hearing this very unique music, I can’t help but feel that he will eventually attain that status. After all, thanks to Bugs, Porky Pig, Daffy Duck and the Road Runner, who among us hasn’t heard and loved his music?

Order this CD

  1. Powerhouse (2:56)
  2. The Toy Trumpet (3:00)
  3. Tobacco Auctioneer (2:36)
  4. New Year’s Eve in a Haunted House (2:22)
  5. Manhattan Minuet (2:40)
  6. Dinner Music for a Pack of Hungry Cannibals (2:56)
  7. Reckless Night on an Ocean Liner (3:06)
  8. Moment Musical (2:17)
  9. Twilight In Turkey (2:43)
  10. The Penguin (2:38)
  11. Oil Gusher (2:39)
  12. In an 18th Century Drawing Room (2:39)
  13. The Girl at the Typewriter (3:02)
  14. Siberian Sleighride (2:52)
  15. At an Arabian House Party (3:21)
  16. Boy Scout in Switzerland (2:50)
  17. Bumpy Weather in Newark (2:51)
  18. Minuet in Jazz (2:51)
  19. War Dance for Wooden Indians (2:31)
  20. The Quintet Plays Carmen (2:40)
  21. Huckleberry Duck (2:51)
  22. Peter Tambourine (2:55)

Released by: Columbia / Sony
Release date: 1992
Total running time: 61:45

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